نوع مقاله : مقالهی پژوهشی استخراج از رساله و پایاننامه
نویسندگان
1 دانشگاه
2 بابلسر-دانشگاه مازندران
3 دانشگاه مازندران
چکیده
کلیدواژهها
عنوان مقاله [English]
نویسندگان [English]
Abstract
Naturalism is a school that defines human beings based on their instinctive desires and considers their actions and thoughts to stem from their inner nature. The followers of this school believe in the deterministic nature of fate, heredity and environment and thus address the grim side of life. Employing an extremist approach, they represent erotic matters, crimes and catastrophes in their works. Naturalist writers strongly reject the notion of humankind’s perfection and their freewill to fight and control the existent deficiencies. They believe that a person is led towards a determined fate, the results of which have already been fixed. This study aims to trace the elements of naturalism in the novel Winter 62 by Ismail Fasih, which frequently employs such techniques as the grim depiction of life, detailed description of calamities, breaking taboos, the equation of humankind with animals, etc. The results of the study show that Fasih strategically and differently breaks taboos and moral and conventional redlines. Winter 62 uses taboos in order to depict the anomalies and the ugly aspects of life, to protest unfavorable and excessive rules, to expose the real intentions of the hypocrites and the opportunists, and also to highlight such concepts as patriotism and philanthropy, all of which are reflected in the work along with Fasih’s bitter criticisms against war.
کلیدواژهها [English]
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