نویسندگان
دانشگاه شهید چمران اهواز
چکیده
کلیدواژهها
عنوان مقاله [English]
نویسندگان [English]
Abstract
Men and their existential mysteries are of those most important issues which attracted the attention of many of men of letters in all ages. In Arabic literature in the same vein many men of letters reflected on men, their mysteries and feelings; those feelings and emotions which are sometimes sings of sadness, sorrow and despair. In this context, the authors of Mohjar movement turned to existential philosophy and reflected on human fate, striving to study their internal mysteries. Mikhail Na’ima is one of those practitioners of this tradition who turned to existential philosophy and depicted such images as death awareness, sin, anxiety, sorrow and despair which afflicted men on their way to freedom, growth and transcendence in his literary products, especially in his novel Didar. Therefore, the researchers of the present article, making use of descriptive-analytical method and utilizing existentialist thoughts and elements, tend to explore and investigate in Mikhail Na’ima’s novel Didar the representation of the close bond between evolution of human life and despair, sorrow, angst and loneliness. The results of the research demonstrates that Mikhail Na’ima was constantly mentally preoccupied with the thoughts of existential philosophy and that existentialism was outstandingly present in these five categories of angst, anxiety, sense of sin (guilt), transcendence and transition, thoughts of death and freedom in his novel Didar.
کلیدواژهها [English]
منابع و مآخذ
الف. منابع فارسی
ب. منابع عربی
نعیمه، میخائیل. (1999). «لقاء»، بیروت-لبنان، انتشارات نوفل، الطبعهی الثالثهی عَشرهَ.
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